Thank you so much for being here! I am a full-time freelance writer and paid subscriptions to this newsletter allow me to continue to do work like this, as well as support the community that we are building here, which includes events like the book club and our new (very active) paid subscriber Discord server. You can upgrade here:
As I mentioned above, I’m a full-time freelance writer, and have been for my entire decade-long journalism career. I’ve written a book (which didn’t sell on first submission), and I’ve penned award-winning features. My work has appeared in nearly every single major publication you can think of: the New York Times, The Atlantic, Rolling Stone, Sports Illustrated, Cosmopolitan, The Washington Post, etc etc etc.
In order to be a good freelancer, you have to be able to do two things well: 1) sell the hell out of a story with a great pitch, and 2) handle rejection.
The second thing definitely comes more naturally to some people than others, but it’s also a learned skill. The more you get rejected, the better you get at handling it. But it’s not just practice that makes perfect here; it’s also about the framing. How you look at that rejection really matters.
Now, I’ll be the first to admit that I find rejection incredibly motivating. When an editor turns down a great story, I become stubbornly convinced to place it somewhere, if only to prove that I was right about the merits of my idea.
So yeah, that kind of grit and determination and just sheer stubbornness is absolutely a reason that I’ve been a successful freelancer (I even track my pitch numbers each year, which includes how many pitches I sent and how many were rejected).
But it’s more than that, too. It’s also the fact that I don’t see rejection as an inherently bad thing. So, as requested, here is my rejection pep talk.
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